Make it sound like this.
Give it a record you love. The master is aimed at its tone and loudness.
♫ reference.wavThe record
DINE for Audio Engineers
Tuned in 30 seconds. Finished by you.
For FOH and broadcast engineers walking into a different room every gig. TUNE MIX gets every channel to a professional starting point in about 30 seconds of listening. Every number underneath is still yours.
For Mac. Free for 14 days, then $39.99 a month or $249 once.
TUNE MIX is ready
Heard 14 inputs, proposed 22 settings and 9 levels. The lead now sits over the band.
Lead up 1.5 dB+1.5 dB
She sat under the band in the chorus.
Keys down 2 dB−2.0 dB
They covered the lead between 1 and 3 kHz.
Drums group: 2:1, 3 dB of control2:1
The kit jumped 8 dB between verse and chorus.
Plate on the vocals, 1.6 s1.6 s
Timed to the song at 72 BPM.
Master trim −1.2 dB−1.2 dB
Lands the mix on −23 LUFS.
Pastor is faint at the deskLOW
Turn input 14 up about 6 dB. DINE did not raise it.
Review in the InspectorTry another mixRevertKeep
What a gig asks.
Kick. Snare. Toms. One at a time.
Line check, then sound check instrument by instrument, then hours building the mix.
The stream needs its own mix.
You’re mixing the room. Someone still has to mix the broadcast.
Then you do it all again.
Next day, next room, next gig. Same band, starting from zero.
Sound check, without the hours.
Most engineers line check, then sound check one instrument at a time, then spend hours building the mix. Then do it all again at the next gig.
The usual way
- Line checkEvery mic, one by one, to make sure it’s alive.
- Sound checkKick. Snare. Toms. Bass. Keys. One at a time, while everyone waits.
- Build the mixEQ, compression and levels, channel by channel. Often hours.
- Next gigNew room, same band. Start again from zero.
With DINE
- Check InputsEvery mic at once. One word each: OK, LOW, SILENT.
- Play one songTUNE MIX listens for about 30 seconds and sets every channel.
- Fine-tuneChange what matters to you. Every setting says why it’s there.
- Next gigOpen the last show’s input map and scenes, and start from there.
A starting point in 30 seconds.
TUNE MIX listens for about 30 seconds, then sets levels, EQ, dynamics, groups and master loudness across every channel, each with a one-line reason. Then you mix.
TUNE MIX is ready
Heard 14 inputs, proposed 22 settings and 9 levels. The lead now sits over the band.
Lead up 1.5 dB+1.5 dB
She sat under the band in the chorus.
Keys down 2 dB−2.0 dB
They covered the lead between 1 and 3 kHz.
Drums group: 2:1, 3 dB of control2:1
The kit jumped 8 dB between verse and chorus.
Plate on the vocals, 1.6 s1.6 s
Timed to the song at 72 BPM.
Master trim −1.2 dB−1.2 dB
Lands the mix on −23 LUFS.
Pastor is faint at the deskLOW
Turn input 14 up about 6 dB. DINE did not raise it.
Review in the InspectorTry another mixRevertKeep
Every number is still yours.
Open any channel in Advanced: the full EQ curve, compressor and thresholds, with a sentence saying why DINE set each one. Change anything. PUT BACK undoes it.
Corrective EQSet by TUNE MIX at 8:27 PM · Lead · TashaCompressor
Low cut110 Hz
Mud−2.5 dB · 400 Hz
Presence+3.0 dB · 3.2 kHz
Air+1.5 dB · 10 kHz
Threshold−18.0 dB
Ratio3.0 : 1
Attack12 ms
Release140 ms
Makeup+3.5 dB
Lifted 3.2 kHz by 3 dB: the words sat under the keys.Double-click any value to return to the plan. PUT BACK undoes this stage only.
PUT BACKSolo without the stream hearing it.
Monitor solo sends a channel to your headphones on its own bus. The room and the stream keep the full mix. PFL, AFL, or solo to a second device.
Monitor soloThe room and the stream never hear it.
Your headphonesJust the vocal
The streamThe full mix
Every mic checked before doors.
Check Inputs gives each mic one word: OK, SILENT, LOW, HOT or CLIP. Catch a dead DI before the band does.
Check inputs14 inputs · 12 OK · 1 low · 1 silent
InputSourceLevel nowPeakState
1Kick In 1−8.1OK
2Snare In 2−10.2OK
3OH L In 3−16.4OK
5Bass DI In 5−9.0OK
6Keys L In 6−14.8OK
8Organ In 8−20.1OK
9Gtr In 9−33.0LOW
10Lead In 10−6.4OK
11BV 2 In 11−∞SILENT
Peaks are since you opened this sheet. Nothing here changes the mix.Done
Match the band’s record.
Give it the band’s latest release. The master is aimed at its tone and loudness, so the stream sounds like the album. LIVE SAFE keeps every change small while you’re on air.
Hear a band.
A four-piece band, raw, then after one TUNE MIX. No faders touched afterwards.
0:00 / 0:00
See every decision it made ›Headphones recommended.
Unedited: one TUNE MIX, no manual changes afterwards. Both sides are matched for loudness.
Become a founding partner.
We’re working closely with a few FOH and broadcast engineers this season. You get DINE, direct access to us, and a say in what we build next.
Questions
Can I override what TUNE MIX sets?
Always. Every setting is in Advanced with the reason next to it. Change anything, or press PUT BACK to undo DINE’s move.
Will it work with my console?
If the console or stage box sends its channels to the Mac over USB or network audio, DINE can record and mix them. A session opens even when the console it was recorded on is not connected.
What if it changes something while I’m live?
It won’t on its own. TUNE MIX only proposes; nothing changes until you press KEEP. With LIVE SAFE on, routing, deletes and re-tunes are held and any move stays small. Autopilot, if you engage it, moves group faders only, half a decibel at a time, and says why.
Tuned by line check. Finished by you.
Hear the band above. Then run TUNE MIX at your next gig.