DINE for Venues

A different act every night.

Input maps for every stage plot, a mix that’s close before line check ends, and house rules a guest engineer can’t break.

For Mac. Free for 14 days, then $39.99 a month or $249 once.

What a busy room asks.

Short changeovers.

Twenty minutes between acts, and the patch is different every time.

Guest engineers, your system.

Someone new drives it most nights. You still answer for what the room and the neighbours hear.

The stream is a second show.

More rooms broadcast now, and a room mix rarely works on a phone speaker.

Patch in one step.

Save how each stage plot is patched as an input map and apply it in one step. Anything missing is named, never quietly misrouted. Check Inputs gives every mic one word.

Every mic, one word.

Check Inputs, before anyone walks on.

Check inputs14 inputs · 12 OK · 1 low · 1 silent
InputSourceLevel nowPeakState
1Kick In 1−8.1OK
2Snare In 2−10.2OK
3OH L In 3−16.4OK
5Bass DI In 5−9.0OK
6Keys L In 6−14.8OK
8Organ In 8−20.1OK
9Gtr In 9−33.0LOW
10Lead In 10−6.4OK
11BV 2 In 11−∞SILENT

Close before line check ends.

Run TUNE MIX while the band plays their first song. The mix it proposes explains every decision, so the next engineer can see what was done.

TUNE MIX is ready

Heard 14 inputs, proposed 22 settings and 9 levels. The lead now sits over the band.

Lead up 1.5 dB+1.5 dB

She sat under the band in the chorus.

Keys down 2 dB−2.0 dB

They covered the lead between 1 and 3 kHz.

Drums group: 2:1, 3 dB of control2:1

The kit jumped 8 dB between verse and chorus.

Plate on the vocals, 1.6 s1.6 s

Timed to the song at 72 BPM.

Master trim −1.2 dB−1.2 dB

Lands the mix on −23 LUFS.

Pastor is faint at the deskLOW

Turn input 14 up about 6 dB. DINE did not raise it.

Review in the InspectorTry another mixRevertKeep

House rules that hold.

LIVE SAFE locks routing and destructive edits during a set. DIM and MUTE reach every feed but the engineer’s headphones in one press.

One press when it goes wrong.

DIM and MUTE on every feed but yours.

Your headphones stay on.

Solo without the room hearing.

Monitor solo on its own bus, PFL or AFL, to a second device if you want. The PA and the stream never hear it.

Kick
MS
Bass DI
MS
Keys L
MS
Lead
MS
BGV
MS
Speech
MS
MASTEREvery group, in the mix
LISTENWhatever is soloed
BROADCAST

Everyone hears it

Network audio interface1–2 ⌄
SOLO

Only I hear it

Headphones · USB interface3–4 ⌄
MONITOR SOLOSOLO IN PLACEAFLPFLDIMCLEAR SOLO

Monitor solo is the default. Solo in place is there for mixing a recording, and says so when it is on.

A stream that stands on its own.

A broadcast master at the loudness each platform expects, under a true-peak ceiling, separate from what the room needs.

Make it sound like this.

Give it a record you love. The master is aimed at its tone and loudness.

♫ reference.wavThe record

Hear a band.

A four-piece rock band, raw from the stage, then after one TUNE MIX.

0:00 / 0:00
−23.0LUFS, where the master landed
38decisions, each one a sentence
30 sof listening to build it
0faders touched by hand
See every decision it made ›Headphones recommended.

Unedited: one TUNE MIX, no manual changes afterwards. Both sides are matched for loudness.

Become a founding partner.

We’re working closely with a few venues this season. You get DINE for your rooms, direct access to us, and a say in what we build next.

Apply to join

Questions

Can we run several rooms?

Yes. Each licence covers one Mac, so give each room its own. Sessions are plain folders, so a mix built in one room opens in the next.

Can visiting engineers keep their own settings?

Each session is its own folder, so a guest can bring theirs and leave with it. Your input maps, scenes and LIVE SAFE stay as the house set them.

Does it replace our console?

No. DINE takes the console’s channels over USB or network audio, records every one, and mixes the stream at its own loudness. The console keeps doing the room.

Ready by soundcheck.

Hear a band above. Then run TUNE MIX at tonight’s line check.