Every mic, one word.
Check Inputs, before anyone walks on.
DINE for Venues
Input maps for every stage plot, a mix that’s close before line check ends, and house rules a guest engineer can’t break.
For Mac. Free for 14 days, then $39.99 a month or $249 once.
Twenty minutes between acts, and the patch is different every time.
Someone new drives it most nights. You still answer for what the room and the neighbours hear.
More rooms broadcast now, and a room mix rarely works on a phone speaker.
Save how each stage plot is patched as an input map and apply it in one step. Anything missing is named, never quietly misrouted. Check Inputs gives every mic one word.
Check Inputs, before anyone walks on.
Run TUNE MIX while the band plays their first song. The mix it proposes explains every decision, so the next engineer can see what was done.
Heard 14 inputs, proposed 22 settings and 9 levels. The lead now sits over the band.
She sat under the band in the chorus.
They covered the lead between 1 and 3 kHz.
The kit jumped 8 dB between verse and chorus.
Timed to the song at 72 BPM.
Lands the mix on −23 LUFS.
Turn input 14 up about 6 dB. DINE did not raise it.
LIVE SAFE locks routing and destructive edits during a set. DIM and MUTE reach every feed but the engineer’s headphones in one press.
DIM and MUTE on every feed but yours.
Your headphones stay on.
Monitor solo on its own bus, PFL or AFL, to a second device if you want. The PA and the stream never hear it.
A broadcast master at the loudness each platform expects, under a true-peak ceiling, separate from what the room needs.
Give it a record you love. The master is aimed at its tone and loudness.
A four-piece rock band, raw from the stage, then after one TUNE MIX.
Unedited: one TUNE MIX, no manual changes afterwards. Both sides are matched for loudness.
We’re working closely with a few venues this season. You get DINE for your rooms, direct access to us, and a say in what we build next.
Yes. Each licence covers one Mac, so give each room its own. Sessions are plain folders, so a mix built in one room opens in the next.
Each session is its own folder, so a guest can bring theirs and leave with it. Your input maps, scenes and LIVE SAFE stay as the house set them.
No. DINE takes the console’s channels over USB or network audio, records every one, and mixes the stream at its own loudness. The console keeps doing the room.
Hear a band above. Then run TUNE MIX at tonight’s line check.